with their debut lp corolla for antime, the berlin-based trio soft grid captures the explosive energy of its celebrated live shows. soft grid was started in 2014 in an abandoned hospital ward by jana sotzko (of dropout patrol) and theresa stroetges (alias golden diskó ship), who had previously been working together in the improvisation project epiphany now.

this is an official reissue of what am i gonna do for fun by the band pitch (1982 - new york city). this release also includes a fantastic remix or rework by tolouse low trax (toresch, salon des amateurs, düsseldorf). a few words from stuart shape, the producer: feels like it was done by another person. i remember getting the serge synthetiser to stay in tune was always a problem. we were fascinated with the new sampling that were just coming out, and kind of got carried away on the vocals. not sure what i was thinking about with the lyrics, guess maybe trying to figure out what i was supposed to be doing when i wasnt working or playing music unfortunately no other finished tracks from that era have survived. they recorded a lot, but finished and saved very little.

vakant comes back with a very special release from an unknown group of creative entities. three cuts of tribal space techno weaponry aimed at the dancefloor. we have received a message from entities lost in between the stars in the vacuum of interstellar space. the transmission was encrypted in an ancient code we were able to translated into frequencies understandable to earthlings. a psychic telegram has been sent to us, activating the body and the mind, divided into aggregations of codes that form three tracks of straight in your face, high-octane fueled, acidic tribal techno, riding on solid bass lines, trippy synths, shiny percussions and abstract ambiences.

Ähnlich wie bei tuff city kids selbst, geht es bei -adoldesscent- nicht um eine bestimmte stilrichtung oder einen sound. vielmehr ist es der ansatz der verschmelzung. und damit ist endlich der nachweis erbracht, dass die verschiedenen ecken des elektronischen musikspektrums wesentlich mehr gemeinsam haben, als man gemeinhin vermuten würde. aber was noch viel wichtiger ist und am ende mehr zählt als all das: es zaubert ein lächeln aufs gesicht!

die beiden jeudi-records künstler deo & z-man sind zurück und leisten ihren zweiten musikalischen beitrag für das label. die beiden beweisen mit ihrem neuen werk einmal mehr ihre einzigartigkeit innerhalb der szene. um sich komplett auf ihre musik konzentrieren zu können, schließen sich die beiden aus einer musikerfamilie stammenden künstler in ihr studio ein und isolieren sich so von allem, was auf dieser welt passiert. das ergebnis dieser session ist ein neuer inspirierender 2-tracker. um den beiden gerecht zu werden, brauchten wir natürlich remixer mit dem selben hohen anspruch an ihre werke. diese sind mit * zombies in miami*, deren letztes release * love on the rocks* sehr viel aufmerksamkeit erregt hat und * eddie c*, der regelmäßig in der berliner panorama bar auflegt, gefunden worden.

2016 reissue - this rarity from the thule catalog has been considered by many to be one of the finest releases from the label and has been extremely sought after by techno-loving vinyl collectors. these couple of minimal techno masterpieces were released in 1998 and immediately caught the attention of big names within the industry, such as richie hawtin. from the hypnotic and atmospheric t1 to the driven minimal beauty of t2 this release is a solid feast for the ears, mind and soul. thor (thorhallur skulason) is one of the founders of the thule records legacy. with his numerous releases on sushitech berlin, connaisseur recordings and missile records (to name a few), he has established himself as one of the leading techno producers of our generation. thule records is considered by many to be a pioneer in the field of dub-influenced techno music and was a starting point for many of icelands most renowned electronic musicians. repress

limited edition vinyl features white scratch-off ink and a 25 cent piece cased in a plastic outer sleeve. each copy will be unique, as the quarter will move around the plastic sleeve in transit creating its own pattern. this is intentional, so any scratches that appear on the front cover when the vinyl arrives is a result of this. sirens is the highly anticipated second full-length lp from nicholas jaar, the chilean-born electronic music producer, mixing engineer and dj, which comes out on october 14, 2016 via other people/kobalt. a prolific artist with a wide palette of talents, jaar spent his teenage years in dance music circles in new york city, where he now resides. in 2011, he released his debut album, the critically-acclaimed space is only noise. in 2012, he was contributed to bbc radio 1’s prestigious ‘essential mix’ series, winning ‘essential mix of the year’. in 2013, matador released the debut album from darkside, jaar’s project with his friend dave harrington. the band toured the record with a giant, rotating circular mirror, with key performances at primavera sound and coachella. other notable projects by jaar include from scratch, a live concept first developed for moma ps1, pomegranates, an ambient record and alternate soundtrack to the armenian film the colour of pomegranates, and the original soundtrack for dheepan, a thriller by the french filmmaker jacque audiard about a family of sri lankan refugees living in the suburbs of paris. dheepan won the palme d’or at cannes in 2015. jaar is the founder of the new york based imprint other people, releasing music and spoken word by a diverse group of artists ranging from lydia lunch to ezekiel honig

washington, dc native joe quarterman had his first hit in 1973, an instant funk classic that was part of the capital city’s red hot 70s funk scene. “so much trouble on my mind” is a party rocking anthem still being sampled and played over 40 years later. fort knox five recently got quarterman back in the studio to record a new song, the stripped down funk banger “don’t go”.

limited edition exclusive release, featuring 17 of elvis presley’s most festive favourites on randomly inserted holiday red or holiday green vinyl.

a collection of 22 songs from elvis presley, all recorded in 1956. collectors edition 180 gram heavyweight vinyl in gatefold sleeve.

for over five years, all day i dream has been where deep and emotive meet house music. propelled by a community of forward thinking artists drawn around the scion of master curator and sunset/sunrise set specialist, lee burridge. all day i dream formally welcomes lost desert to the label with the release of lingala, a two-track collaborative effort with burridge himself, that also features junior on vocals. lost desert was picked out of obscurity after burridge discovered his music while trekking in a remote area of a long lost land. a fast forged friendship inevitably lead to the studio, and lingala’s the enrapturing sophomore result. the duo’s first project together debuted on lee’s night time imprint, get weird, earlier this year to widespread support. lingala, is a beautifully composed ten-minute sonic journey. built around a mystical lead vocal sung by newcomer junior in his native linagles the raw emotion slowly builds in intensity over propulsive basslines and deep melodic grooves . gorje hewek & izhevski’s interpretation of lingala is a markedly different affair. focussing on musical layers rather than the vocal the duo’s signature spacey atmospheres and minimal rhythmic percussion add extra strings creating uplifting moments that contrast the original’s mood.

stewarts jüngstes werk entstand anfang 2016 in einem zeitraum von vier monaten, “in einer zeit, in der sich einiges in meinem leben veränderte. ich zog in eine neue stadt, quasi von einer küste zur anderen, hielt um die hand meiner traumfrau an, bezog ein neues haus, kaufte mir einen neuen rechner und begann, ein neues album zu schreiben”. doch abgesehen von diesen persönlichen veränderungen, konnte stewart durch den umzug nach kalifornien auch wieder seinem langgehegten interesse nach -new-age-konzepten- nachgehen, was sich im ganzen album widerspiegelt. die lange liste der features auf diesem album beinhaltet nicht nur beyonce-kollaborateur melo-x, rihanna-kollaborateur kevin hussein, sondern auch eine reihe an neuen talenten der us-szene wie dawn, tosin abasi, ruckazoid, roses gabor oder sk simeon.
das doppel-vinyl erscheint im klappcover inklusive downloadcode.

here we have 12 inch single that was never released containing the session by jordan fields & roy davis jr (dj freestyle mix) which was featured on mark farinas dj mix. also check jordan fields edit of * afrobeat breakdown* by hakim murphy & * if you wanna* by david britton. limited quantity!

originally released on planet e in 1998, * exstasoul* was recorded in paris and detroit and fuses electro-funk with deep house grooves and a touch of sampling. playing for the citys olivier portal adds keys on the title track. this 4-tracker is a definite testament to altons eclectic sound!

reissue of this 20y old timeless classic with a new basic soul unit rmx on the b-side!almost two years ago we reissued dj boom kinda kickin with an extra efdemin remix on curle-p06. because y all loved it so much, we decided to reissue two more matthew herbert deep house goodies. after the very well received linkwood remix of see you on monday it now time for one of herbert s biggest records deeper, from the iconic part two ep, 20 years old but still timeless! on remix duties is basic soul unit, who saw his album released on dekmantel end of last year. we knew he was good, but his remix exceeded each and any of our expectations.

here is a new member to the et family: utroid. behind this project goes the producer who was once known as funxiun and bs-1. the biggest difference between utroid and the former projects is that the music is less hectic as before. with utroid the music moves into a more minimal direction while keeping the raw beats and rough vibe. you could call this new beat 2.0 or acid beat…. what you get are dancefloor orientated tracks that range from rather distorted to trippy and spacey…
limited to 150 copies.

dominatrix is a synth-pop/electro project from the 80’s, best remembered for their 1984 club hit, “the dominatrix sleeps tonight”. the brains behind this new york city based project is producer/songwriter stuart argabright, whose other projects over the years have included ike yard, black rain, the futants, the death comet crew, the dystopians, and the voodooists.
the story behind this project began one night when a young stuart met a beautiful mysterious older women in a corvette while hitchhiking. they became friends, spending nights at her east side apartment, getting high and listening to bowie records. after argabright noticed the bull whips and manacles hanging in her closet, it became apparent that his friend’s occupation was chaining up, whipping, and torturing upscale manhattan businessmen (who were very willing victims and had the credit card bills to prove it). this project came to life because of his sincere admiration and respect for professional dominatrixes.
this is a limited edition on white vinyl with un-released tracks from dominatrix.

four never before released or publicly available demo cuts from the writing sessions of craig peyton and jolyon skinner circa 1983-1985. the duo produced and wrote hits for artists in between working on their own projects. these songs survived the past 30 years on a cassette tape, which was lovingly transferred for this exclusive to peyton records release. after their short but fruitful collaborative period, peyton went on as a writer and band leader and skinner went on to have a career as a songwriter for pop acts such as joe, nsync, and freddie jackson. in the words of craig peyton: “jolyon skinner and i met in the early ’80s through our mutual friend keith diamond (the trinidadian producer of hits such as “caribbean queen” by billy ocean). after we met, jolyon and i started regular writing sessions at my nyc p-factor studio. our first break came in 1983 with howard johnson’s “let this dream be real-. that was followed up with “love of a lifetime” by melba moore and “where ya gonna be tonight” for will collins. after this we were offered a recording deal by april blackwood music, but due to my contract with profile records at the time we couldn’t accept it. shortly after skinner got signed to zomba and we stopped writing together around 1985.

miguel barros alias pional punktete in der vergangenheit bereits mit exzellenten veröffentlichungen auf labels wie hivern discs, young turks oder permanent vacation. für das britische ninja tune sublabel counter veröffentlicht der spanier nun seinen neuesten streich. die vier tracks bewegen sich elegant zwischen electronic-, house und pop und klingen zeitlos und frisch. pional, der bereits mit john talabot kollaborierte und mit the xx tourte, wird vom uk-hipster e-zine resident advisor regelmäßig in deren top 20 live performance gewählt. fans von jamie xx über metronomy bis hin zu zomby sollten die neue pional ep nicht verpassen!

one sided vinyl with silkscreened b side, comes in clear sleeve with poster numbered, edition of 350 dreams really come true: when we heard tomemitsu s beautiful lo-fi indie songs on the cassette -m_o_d_e_s- back in 2013 we fell in love! especially the track -in dreams- followed us around for months. humming it in the subway, singing along in the car. many dreams later we found out that our friend and fellow hamburger stefan marx also loves the song and even named an art show after it. coincidence? surely not, so together we made the plan to release -in dreams- on vinyl. luckily tomemitsu himself was very happy with the idea and even allowed rss disco to remix the song. the notorious dj and production trio upped the tempo to head-spinning 99bpm, recorded additional drums & bass and added several minutes of pleasure. finally, the two tracks will be released on vinyl for the first time. screen-printed records, including a poster in a clear sleeve. music by tomemitsu, designed by stefan marx, remixed by rss disco, released by mireia records. it s all a dream!

frank & tony aka artists formerly known as adultnapper and anthony collins, respectively, are it again on the former s new york based scissor & thread imprint. first up -apprentice- is a well-crafted deep house cut with swirling, captivating pads that build to a climax. lamento with its sexy bassline, playing off the thumping drum programming and yet more swirling pads that they ve proven to do so well. lastly modest season is the sort of smoky, dubby, after hours house that swiss producer agnes was known for similarly, back in the day.

social experiment is back with a 3 cut ep that was specifically crafted for the dance floor by rising star ad/d. an individual with a long history in dance music who is set to go the next level off the back of this stunning debut package on this imprint. the ep features 2 floor destroyer grooves featured heavily in art department dj sets all year, and ends with the sublime and slightly 90s nostalgic gem * star 233411* from the canadian also knows as mario j, which is heavily influenced by the music he made and played at his iconic nightclub, industry.

chicago legend anthony nicholson is back with a new release on his hugely influential clairaudience imprint which sprung back into action a couple of years ago after an eight year hiatus. on -suckapunch-, the man behind such seminal music as usg and african blues delivers properly soulful and emotive deep house the way it was intended. on the flip, -turn me on- is more uplifting, integrating some syncopated conga drums and powerful strings with hypnotic female vocals loops all working in perfect harmony.

it’s time to touch music. it’s time to get your turntable ready! it’s time for ... wow! vinyl!
after hearing these tracks for the first time, we were certain that vinyl was the right format to release this ep. so here we are presenting our vinyl only release and who better to feature on this limited edition release than subb-an, with also a super remix from hector. some serious underground stuff in this wow! limited vinyl edition, with 2 original tracks on the a-side and hector’s remix on the b-side! high quality vibes delivered from all tracks using rhythms and vocals to create a very strong dance floor power!

the first release by parisian iconoclast joakim for his friends and european colleagues at dj tennis life and death records is a miniature nocturne for dance floor meditation, a cascade of unfurling fizzy moods and introspection, finally tuned and expertly rendered by the electronic music maestro. -i met manfredi (tennis) through luke jenner (ex the rapture) in nyc. when manfredi has a few days off his busy touring schedule, he comes to my studio to work with luke on their collaboration project. we usually talk about synths, food, dj gossip and complain about espressos in nyc. about 6 months ago we were eating korean fried chicken and manfredi asked me if i’d like to do something for his label life & death. at the time i had a bunch of club tunes i started working on and somehow had a feeling some of them could be a fit for life & death so i played those and manfredi very quickly picked one, daemon. i thought putting out something on life & death was at the same time kind of odd (and if you didnt notice yet, i like when things are unexpected) and totally appropriat

19-track compilation of songs recorded across 1983, most of which have never been released on vinyl before! bocal 5 were a no wave art group composed of doc pilot (synths, vocals), zouka dzaza (bass), florian guillou (synths), mickey lepron (electronic drums, bass) and evy tinguette (lead vocals). the project was born in november 1980 in tours, france as the brain child of doc pilot. between 1981 to 1986 bocal 5 recorded one 7inch single and a cassette-only album before taking a year off in 1984 to launch x-ray pop. influenced by erik satie, brigitte bardot, suicide and young marble giants, they call their music-minimum naive new wave.

the second release on tb arthurs (312) label finds the mysterious artist revealing a collaborative project with magda as blotter trax. the pair first encountered each other at the famous motor city record store record time, when detroit artist bmg introduced his then co-workers magda and derek plaslaiko to arthur, who was visiting the shop from chicago. sometime after that meeting, magda and arthur went into the studio and jammed together for a week, the session was recorded live on analog 1/4 tape and then three tracks were selected for release. 1a is six and a half minutes of modulated synth sounds that are psyched out and sci-fi, spooky and truly atmospheric. full of cerebral cinematism, acid lines and ghoulish textures all add up to a truly standout track. 2a then marries dark wave pops and clicks, unsettling alien lifeforms and menacing, slo motion industrial drums into a physical and imposing groover riddled with paranoid sirens and drones. last of all, 2b snakes and slithers its way through undulating drums, cosmic freakiness and gloopy synth sounds that are all seductive and subversive in equal measure. this, then, is a truly fascinating pairing.

sontag morgen releases # 5, 7 & 8 all bundled up for one special price.

detroits brainstorm have achieved cult status as a group among underground disco, soul and boogie aficionados worldwide. hot for you lifted from their 3rd lp from 1979 has always been a huge record for the more discerning disco jocks, those who like to dig a little deeper to find the gems. a real dancefloor burner that found favour with everyone from larry levan to daniele baldelli after it s original release. the same can be said for journey to the light, another anthemic slice of midtempo michigan soul that was hugely popular in london on its infamous -rare groove- scene, pirate radio stations and beyond. lifted from the bands second lp and oozing class journey is a stellar cut, truly essential! both of these tracks on one 12- already make this an essential release for any real soul head, but the fact that the versions featured here are private re-edits from one of the true masters of the game s private vaults makes it utterly unmissable. yes, thats right - danny krivit, disco royalty, a true pioneer and re-edit trailblazer adding his unique touch to these incredible pieces of music make this a particularly hot biscuit. danny has kindly opened up his archive and in conjunction with tabu / demon music group brings us these amazing reworkings. both tracks have been lovingly edited and tweaked by mr.k himself with dj s and dancers in mind. 100% legit!

seeing as public release is a san francisco label and sister to face, a long-running local party, you could say it was inevitable the label would put out a record that candidly celebrates its hometowns talent, color, character. 415-pr10, whose name is an ode to s.f.s first, emblematic area code, is exactly that: a frenetic survey of some of northern california’s finest producers— and a blueprint of sorts for more similarly-minded and themed eps in the future

arnold jarvis take some time out was first released in 1987, the year that fourth floor records was born, and it stands the test of time as a seminal release for the label. the track perfectly characterises the stand out productions that keep the house music world returning again and again to its catalogue for inspiration. this official vinyl re-issue includes the club and dub that made up the original release, plus a reconstruction mix by ilija rudman. ilija delighted classic music company earlier this year with his minimal take on disco in track in her eyes. his approach to the take some time out re-work has the same deconstructed vibe the loose percussion and punchy melodic bass gives a pleasing spaciousness to the track, giving the record fresh life and re-imagining it for 2016

gourmet beats 007 is the los angeles ep featuring introspekt, mesck, oxossi, and subtle mind. the idea behind the ep was to bring together some of the hot talent emerging out of the la bass music scene.
support from: joenice, bunzero, raggs, e3, kursk, mesck, gantz, emmo, infradub, vivek, sapleo, dub diggerz, basstrace, dubphase soundsystem, nousless, malleus, moonstones, fkof, trusik, true soldiers productions, datasetclothing, subfm.

italian label greentech was inaugurated by minimono last year with a great remix by windy city legend paul johnson. the second edition features gaetano caruana aka caruan making his debut in production after many years of djing. -tempo reale- is an inventive and off kilter groove generated by clearly analogue means that pounds and grinds away out of sync at first, until it gradually begins to lock and it sounds great. there s some killer remixes by a real who s who of the scene and we can t help but mention all of them! first up fellow italians verrina & ventura deliver a typically stripped and rolling minimal house rendition. croatian hypnotic techno don petar dundov then delivers something more pounding and aggressive than we re used to, but we loved it all the same. finally the -eduardo de la calle tempo intrusion reale remix- sees the spanish master of trance induction deliver one of his best remixes in a while, complete with spooky sci-fi atmosphere, millsian bleeps and sonar blips.

disco tech returns with volume 4! once again delivering those dancefloor ready edits that has become his trademark. starting off with dr packer s rework of the famous stevie wonder summer anthem and disco techs own edit of a rare cover version of papa was a rollin stone. the flip side takes on a more funky twist delivered by the italian disco legend ltj as well as the mexican funk don the funk district.

remixes by o/v/r (james ruskin & regis) & Ø phase. Ø phases 2015 album alone in time? was the second lp in a remarkable line of releases on token since 2007. token65 is a retrospective tribute to the record, offering remixes of two tracks.

most fans of the blues believe it was born in the mississippi delta shortly before 1900. they are definitively wrong. the blues had its roots in other forms of older black music that are traced to the music of west africa. in that sense, mali music constitutes the dna of the blues and the griots can be identified as the direct ancestors of the rural bluesmen. baba sissoko is from mali and he is the last undisputed griot alive.

occasionally, a record — or sometimes even a dj — simply falls out of the sky, like so many unexplained showers of fish, or midnight deliveries of frozen piss from passing jumbo jets. and so it was when dj steve first came to our attention in 2011 via tim sweeney, who discovered him quite by chance djing in the italian seaside town of tropea.

the grooves of thomas white and pete williams aka natural rhythm, have been a mainstay in the sets of robsoul boss phil weeks for more than a decade. today he pays ‘tribute’ with a special re-release of some of his favourites. born in a garage in the late 90’s, natural rhythm was a meeting of passionate musical minds. working together the pair sought to create their own style and sound, influenced by the tracks they were regularly spinning in their own dj sets across the country. creative sampling and their own raw beats, together with live instrumentation and regular guest vocalists, saw natural rhythm create a strong catalogue that, as we know, are still getting played today. with three albums and over 35 ep/single releases to their name, there more than enough music for label boss weeks to select from for the tribute ep. a tough job? of course. however, phil went straight for the four that never leave his box. leading the ep are the sun-drenched vocal vibes of ‘something big’, the title track of natural rhythm’s 1999 release on under the counter. our a2 is the lead track from 2001’s last call at the martini ranch ep, ‘chicago nights’, with its quaking bassline and disco dalliance. on the flip we’re treated to a choice selection from natural rhythm’s 1999 double album contrast in nature. first up with its celestial chimes and thumping kick is ‘smoldering island’, taken from the original part 1. closing the tribute release and taken from part 2 is the devilishly funky and suitably titled feelgood jam ‘energized’. we definitely are!

mr tophat, an enigmatic swedish house head whos awkward grooves and unconventional arrangements has heads nodding across the universe. from another dimension ep was inspired by his addiction to the club tracks that music for freaks originally released, with rob mellos no ears dub version of discorobot in his top 10 tracks of all time. here, mr tophat generously serves up 3 of his textbook trips down the rabbit hole. this is entertainment for the freakiest of people. aliens from another dimension is a squeeky adventure in sound, navigating the inner workings of mr tophats imagination and penchant for sci-fi. prophet funk is a chugging, progressive slice of hip house surrealism. its quirky call and response melodies and gawky vocals are straight out of an episode of the twilight zone. new release information message to the stars is a love song to the multiverse and the stars that reside within her. a funky breakbeat is underpinned by discordant melodies and lead lines that resonate with the head and the hear

eyetone returns with 005 which deviates away from the exploratory vibes probed in the previous release which was well received and instead shifts right back with intent for the dance floor. an ep which is very much a greek affair, featuring two deep, dubby cuts from la based greek producer maheras and a special extended techno piece by newcomer to the scene artemis soy. maheras sound spits a hybrid of sounds that range from dark techno, groovy disco and soulful house. expanding his personal style by working under new aliases with talented vocalists and collaborating in projects such as cazion and plastic love, maheras continues to explore the vast sphere of electronic music without any limits.

london’s 22a follow up their sell-out tenderlonious / al dobson jr split ep with nine more exclusives from henry wu and jeen bassa. originally limited to just 100 copies, this has become a hugely sought after 12”!
henry wu applies jazz infused hip-hop sensibilities to these synth-boogie, and deep house tracks. this was wu’s debut release and set the platform for further massive releases on eglo and rhythm section. on the flip jeen bassa goes in deep with percussive house infused afro-beats laden with jazzy hip hop rhythms. haling from a family of talented musicians (mo kolours and reginald omas mamode iv) he has since gone on to similarly large releases, including last years sterling time waves ep on 22a.

matador hits hard with this years official loveland festival 2016 ep - the ep was theme-tune to this years loveland festival with sven vath, richie hawtin, alan fitzpatrick and of course matador headlining.

long-time london based friends and regular collaborators ethyl & flori have been foraying between the blurred lines of house and techno with releases on labels like secretsundaze, aim and fear of flying for the last 6 years - and with a glowing reputation under their belt, 2015 saw the duo launch their own imprint e&f records. this time however, their most recent venture is a release with london label mutual friend recordings and combines the duos talent with enigmatic label owners and friends of ours london party curators our mutual friend, their solo ep on brooklyns voodoo down records earlier this year was tipped by such luminaries as levon vincent and dj october.

unlucky 013? ha! this one’s a pearler. multi talented producer red rack’em climbs up the fertile n s y d e spirit tree for this glowing summer release in the form of the ‘nothing without you’ ep. a mutation from the same skunky-soul strain of n s y d e 005 by skymark / lady blacktronika. the title cut is a result of a red rack’em tour through the south pacific, connecting with inkswell and fam. what was meant to be a rack’em / inkswell track instead ended up with australian vocalist, now berlin diamond in the rough: misumami liberally sprinkling her magic throughout. with a proposed subject matter based around missing loved ones while apart, misumami weaves an enchanting story of longing, and matters of the heart, through signature sleek, clever, floor ready rack’em production. flip for ‘love beat’ and here we get red rack’em- the funky technician fanboy, dusty fingered native tongue devotee, and closet jazz dancer. the loose, bumping drum programming and sculpted, cubist jazz sampling (inna heavy mandalorian funk fashion) weld this nocturnal seduction dance together. this is a late night groover, an eyes closed on the dance floor vibration. both sides are modern, vital, considered house music, where the problems of the world dissolve in a heads down- vibes up situation. mastered by pole at scapemastering so you know it’s gonna bang...

valioso015, refreshing sound from our friend and talented artists called sithòu. joining the valioso family in 2015, his track * baequm* on our valioso & friends va was already a little preview regarding his skills in productions. sithou delivers a solid two tracker, starting with * oso* a very special track consisting an impressive guitar as the main motif. taking a look on * delia* including a memorable vocal and an hypnotic atmosphere, lizz reshaped this tune into a beauty with musical influences from his romanian heritage.

nas i am was his third studio album release and proved his reputation of one hip-hop s leading rappers. his strong lyrics are heard on tracks like -small world- and -favor for a favor- featuring scarface of the ghetto boys. the original material of the album was leaked onto the internet and this forced him to record completely new material.

this song has been in high demand since a demo was released to premier dj’s around the country. this transatlantic production was created by singer- songwriter reno ka who previously had successful releases on defected and cajual. featuring production by ron trent for music and power! getting played by louie vega (amongst others).

elleorde was born 3 years ago at camp cosmic, an anything-goes music festival in the swedish forest that s recently been relocated to the german countryside. elleorde s debut record shares the same themes as the fest with a combination of time travel, cosmos, space exploration, sunsets on exotic planets, and universal love. not to mention, these are forest jams, mind you. the uk one-man project draws influences from war, dexter wansel, tantra, cerrone, ennio morricone, supermax, you get the idea. step in to the battlestar gallactica, open wide and eat the future.

the 4th release of on a mission records is a double pack with not less than 7 original tracks and 2 interludes from label bosses jef k and rhythm&soul. as original house music lovers, they are reaching the whole spectrum of their inspirations throughout the years and send it directly to the dancefloor. the lp was done between madrid and paris in the last monthes of 2015. jef k is one of paris old-school legendary dj and producer since 1992 and is also running the famous house label silver network. rhythm&soul is one of madrid s house music leaders and also runs the almighty deep house label slow town. house culture !